Kanye Criticized for Performing With No Mic at Rolling Loud California

Fans were left baffled and speechless as kanye performs at rolling Loud without a mic

Kanye West, the figure of perpetual innovation and controversy in the music world, has once again left his fans and critics baffled, this time at Rolling Loud California. Advertised as a headline performance, Kanye, alongside Ty Dolla $ign under their moniker ¥$, transformed their set into what was essentially an hour-long listening party for their album ‘Vultures 1’, leaving attendees perplexed and frustrated.

The event, which took place in Inglewood, California, from March 15 to 17, was marked by the duo’s choice to abstain from live performance. Instead, Kanye donned his signature hockey mask and moved to the rhythm of pre-recorded tracks, never once addressing the crowd or utilizing a microphone. This decision left both fans and Rolling Loud organizers in a state of confusion, especially given the festival’s assurances that Kanye’s set would transcend the bounds of a mere album playback session.

The backlash was swift and vocal, with social media platforms becoming the battleground for attendee frustrations. Quotes from fans on Twitter like “I just thought going to a Kanye show would be different” and “So Kanye is lipping the whole performance tonight” epitomize the collective disappointment felt by many. These reactions underline a growing disconnect between artist intentions and audience expectations, highlighting the evolving dynamics of live music in the digital age.

Defending their unconventional approach, Kanye and Ty Dolla $ign appeared on Big Boy TV post-event, suggesting that the “experience” should transcend traditional live performance metrics. Despite this, the lack of direct interaction and performance left many questioning the value of their ticket purchase, with Rolling Loud’s social media subsequently inundated with memes and calls for refunds.

While unorthodox headliner sets are not uncommon (an infamous case being Frank Ocean at Coachella), this incident at Rolling Loud is only the latest chapter in Kanye’s complex relationship with public performances and media. Previously withdrawing from Rolling Loud Miami in 2022 and replaced by Kid Cudi, Kanye’s return to the festival circuit was highly anticipated. The festival itself had been a platform for other major artists like Future, Nicki Minaj, and Post Malone, adding to the weight of expectation on Kanye’s show​.

As the dust settles, the event raises important questions about artist accountability, the evolving nature of live performances, and the expectations of modern audiences. Kanye’s Rolling Loud appearance may have been another step in his journey of artistic expression, but it also underscores the fragile contract between artists and their fans, a relationship built on mutual respect and understanding that must navigate the turbulent waters of innovation and tradition in the music industry. At its core, it asks the question: are artists beholden to their fans or to their craft?

Edward Fang

Edward Fang has been an avid raver since the early 2010s. While he started off with the bass-heavy genre of Dubstep (Excision was his very first EDM concert!), Ed has love for all types of EDM and believes there’s an EDM subgenre for everyone. His current favorite artists include: Porter Robinson, Odesza, ISOxo, and Fred Again.., but he is always looking to discover new artists!

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